Fox for a Turtle: Still Searching for the Arcades

While we were in Manchester, Graeme took us to the beautiful Barton Arcade. I took some candid shots as we reflected on the days of Baudellaire and the flâneur, a literary type from nineteenth-century France portrayed in Baudellaire’s poetry as a man of leisure, an idler, an urban explorer and a connoisseur of the street. Allen lamented that the Barton Arcade seemed less grand than the arcades he imagines from Walter Benjamin’s beloved and unfinished Arcades Project (which is largely responsible for giving the meta concept of the flâneur scholarly importance). I guess this gives us an excuse to go searching, like modern day flâneurs, through the streets of Paris for something that resembles what Allen has in his imagination about Benjamin’s arcades – an impossible feat to be sure, but a journey that must be undertaken one day!

Fox at Edwards Shoes
Fox at Edwards Shoes

Barton Arcade in Deansgate Manchester is a beautifully restored piece of Victorian architecture originally built of iron and glass in 1871. The arcade was restored in the 1980s and now showcases high-end shops, and numerous office suites. There are three tiers of balconies inside with ornamental balustrades adorning the U-shaped shopping arcade and two octagonal domes rising from glass pendentives. It is said to be the best example of this type of cast-iron and glass-roofed arcade anywhere in England.

Benjamin writes about the creation of arcades in the city of Paris as an architectural change rooted in the rise of capitalism. Arcades consisted of passageways through neighborhoods, which were covered with a glass roof and braced by marble panels resulting in a kind of interior-exterior for vending purposes.

These passages were “lined with the most elegant shops, so that such an arcade is a city, even a world in miniature. Within these arcades, the flâneur is capable of finding a remedy for the ever-threatening ennui. He is able to stroll at leisure; one might even go to the extreme of allowing a pet turtle to set his pace, observing the people, the building facades, the objects for sale–entertaining and enriching his mind with the secret language of the city (Baudelaire). I can hear Paris calling for us.

Barton Arcade, Manchester
Barton Arcade, Manchester
Barton Arcade, Manchester
Barton Arcade, Manchester
Graeme, Jaeho, Allen
Graeme, Jaeho, Allen

Sometimes (from the archives)

Sometimes I’m awake as I lie sleeping,
Winding still images around my fingers like string.
My dreams are filled with moments I’ve forgotten.
Certain objects in my heart shift for my peace of mind. – MJJ

Sunflower KC, MO – Lomo by MJJ

(from the archives – Originally posted on 12/31/06 on a former site)

We Have No Heads

“The meeting of two personalities is like the contact of two chemical substances; if there is any reaction, both are transformed.” – Carl Gustav JungWe Have No Heads, New Orleans by Molly Jarboe, 2011
We Have No Heads, New Orleans by Molly Jarboe, 2011

I Can See Clearly Now: An Opaque Post About Loss

I recently lost something dear to me. The loss didn’t come with a sudden absence; physical proximity remains unchanged. Instead, in an instant, years of ambiguity crystallized.  As the only visitor in the group, I was afforded an outsider’s view and unwittingly, I glimpsed a monster.  I recognized what it was immediately, even as it carried on, hiding in plain sight.  In that momentary burst, I caught sight of the massive thing sulking in the shadows, feigning self righteous indignation and crying out, “Poor me!”  It turns out the monster has been hiding there all along.

I’ve come to realize that blind loyalty to the hope of what could be is all that accounts for the sweetness I felt for so many years. But this possibility never materialized even in the shape of a small gesture from the other side, and so I must face the sadder realization that nothing has truly been lost. I’ve had to confess my own naivety at believing that it ever really was possible.  At least for a short while, the loss of hope on this matter as a whole will burrow through the optimistic part of my heart like a tiny mole.

But I am an optimist and this too will pass. Thankfully, something can be learned from these things.
New Orleans by MJJ, 2011

We Have No Heads, New Orleans by Molly Jarboe, 2011

(please imagine Bob Marley’s verson of “I Can See Clearly Now…” as a score to this post)

Ophelia: In Search of a Metaphor

Every time I come across this 1852 rendition of Ophelia by John Everett Millais, my mind starts searching for a metaphor to relate back to my project Tangled.  I’m drawn to it almost entirely because of the abundant detail and intense colors Millais used, which are typical of the complex compositions of the  Pre-Raphalite painters.

The story behind Millais’ painting is interesting and strangely aligned with the story of Ophelia.  Elizabeth Siddal modeled for this mysterious Shakespearian death scene, in a bathtub with lamps beneath to warm the water.  On one occasion, the lamps went out and the water grew icy cold.  Siddal became ill, apparently willfully, for she remained in the water without protest as Millais painted on for hours.  She eventually died of a drug overdose that is widely held to have been a suicide.

From Gertrude’s speech about the death of Ophelia we learn that she accidentally fell into the water and then simply neglected to save herself from sinking. This passiveness is very much in line with the way Ophelia lived her life throughout the play – always going with the flow, doing what she was told to do, never making a decision for herself.  What is intriguing to me beyond the sublime aesthetics of the painting is how Ophelia’s story takes a turn with Gertrude’s further observations that Ophelia’s death seemed natural and that she was mermaid-like or a “native” creature in the water.  This is something she had never shown an inclination toward in life.  It’s almost as if the flora of the river and the riverbank, so beautifully depicted in Millais painting had the power to seduce Ophelia to surrender her life to the growth and decay of the natural ecosystem.

I’m still searching for my metaphor.  I feel it very much within reach.

When down her weedy trophies and herself
Fell in the weeping brook. Her clothes spread wide;
And, mermaid-like, awhile they bore her up:
Which time she chanted snatches of old tunes;
As one incapable of her own distress,
Or like a creature native and indued
Unto that element: but long it could not be
Till that her garments, heavy with their drink,
Pull’d the poor wretch from her melodious lay
To muddy death
.