Facebook, Internet Memes and Situationist Slogans

When aliens try to learn about Earthlings by looking at facebook, they will think we are all ecstatically happy and that we compulsively “like” just about everything we encounter. Even our status updates about life, love, politics and the world around us are delivered at a pace resembling a frenzied heartbeat. Multitudes of saccharin comments accumulate like deep breathing methods, but they can’t tame the palpitations that fuel our compulsion to remain engaged in this kind of super-charged, yet ultimately empty communication.

At the end of the day, I am the first to admit that I enjoy facebook. I appreciate all that it has to offer, especially when it comes to staying in touch with friends and associates in the arts and of course family. For the most part, I use it solely as a networking tool and it’s negative aspects are easily kept at bay. You can specify a certain audience for each bit of content you put out there, so you don’t have to worry about offending your boss or your grandmother. Since my expectations about the level of meaningful interaction within social media in general are low, I’m rarely overly disappointed with my experience using it.

With all of that said, I also think it’s important to look at the big picture where these kinds of phenomena in our lives are concerned. There are endless contributing factors to how we got here. Facebook itself has contributed greatly to the recent rise in popularity of internet memes who’s culture jamming effects are reminiscent of the impact the Situationist International’s slogans had on daily life, mostly in Europe in the 1950s and 60s. As part of a specific agenda associated with opposing capitalism, the SI’s slogans were a big part of the 1968 uprisings in Paris. The slogans became a part of daily life in the form of graffiti when quotations from two situationist books, The Society of the Spectacle (1967) by Guy Debord and On the Poverty of Student Life (1966) by Mustapha Khayati, were written on the sides of buildings and subway walls of Paris.

Many of the SI slogans could easily be internet memes of today:

Actual Graffiti Found on Paris’ Walls in May, 1968

Don’t beg for the right to live — take it.
Those who make revolutions half way only dig their own graves.
No replastering, the structure is rotten.
The passion of destruction is a creative joy.
Conservatism is a synonym for rottenness and ugliness.
Those who lack imagination cannot imagine what is lacking.
Unbutton your mind as often as your fly.
Professors, you make us grow old.
Terminate the university
The bourgeoisie has no other pleasure than to degrade all pleasures.

Below is a gallery of images I pulled randomly from Google Images with the search query “Situationist Slogans” typed in.

How to make a fake Instagram

How to make a fake Instagram in 3 easy steps.

Step 1:  Select an old photo, preferably one that has a great deal of
sentimental value to you.
Step 2:  Scan the photo
Step 3:  Crop it into a square.

Voila!  Your fake Instagram is complete!  Put it on facebook and email it to all your friends.

Please note:  It’s very possible your old photo is already square in shape.  If this is the case, skip step 3.

Fox for a Turtle: Still Searching for the Arcades

While we were in Manchester, Graeme took us to the beautiful Barton Arcade. I took some candid shots as we reflected on the days of Baudellaire and the flâneur, a literary type from nineteenth-century France portrayed in Baudellaire’s poetry as a man of leisure, an idler, an urban explorer and a connoisseur of the street. Allen lamented that the Barton Arcade seemed less grand than the arcades he imagines from Walter Benjamin’s beloved and unfinished Arcades Project (which is largely responsible for giving the meta concept of the flâneur scholarly importance). I guess this gives us an excuse to go searching, like modern day flâneurs, through the streets of Paris for something that resembles what Allen has in his imagination about Benjamin’s arcades – an impossible feat to be sure, but a journey that must be undertaken one day!

Fox at Edwards Shoes
Fox at Edwards Shoes

Barton Arcade in Deansgate Manchester is a beautifully restored piece of Victorian architecture originally built of iron and glass in 1871. The arcade was restored in the 1980s and now showcases high-end shops, and numerous office suites. There are three tiers of balconies inside with ornamental balustrades adorning the U-shaped shopping arcade and two octagonal domes rising from glass pendentives. It is said to be the best example of this type of cast-iron and glass-roofed arcade anywhere in England.

Benjamin writes about the creation of arcades in the city of Paris as an architectural change rooted in the rise of capitalism. Arcades consisted of passageways through neighborhoods, which were covered with a glass roof and braced by marble panels resulting in a kind of interior-exterior for vending purposes.

These passages were “lined with the most elegant shops, so that such an arcade is a city, even a world in miniature. Within these arcades, the flâneur is capable of finding a remedy for the ever-threatening ennui. He is able to stroll at leisure; one might even go to the extreme of allowing a pet turtle to set his pace, observing the people, the building facades, the objects for sale–entertaining and enriching his mind with the secret language of the city (Baudelaire). I can hear Paris calling for us.

Barton Arcade, Manchester
Barton Arcade, Manchester
Barton Arcade, Manchester
Barton Arcade, Manchester
Graeme, Jaeho, Allen
Graeme, Jaeho, Allen

High Speed Retro: Fun with Instagram

Although I had fun playing with the Instagram ap on my iPhone during my recent UK trip, I have to admit feeling slightly apprehensive about taking the phenomenon too seriously within artistic practice. Aesthetically speaking, Instagram and it’s predecessor, Hipstamatic, seem to follow in the footsteps of the Lomo, the analog camera with numerous incarnations at the center of the Lomographic Society, which professes a motto of “Don’t think, just shoot.”

Unlike the Lomo however, Instagram produces digital images well suited for social media platforms whose users demand instant gratification. It’s easy to take a shot, apply jazzy, retro-looking filters and share the results over a variety of social networking services in seconds flat.

A recent New Yorker article has this to say about the Instagram phenomenon:

“Instagram’s “Most Popular” feed is filled with sunsets over cities and beaches and points in between. It might be said, though, that all Instagrammed photos emphasize photography as an elegiac or twilight art, one that rushes and fakes the emotion of old photographs by cutting out the wait for history entirely, and giving something just a few seconds old the texture of time. We are creating a kind of instant nostalgia for moments that never quite were.”

Ain’t No Surer Way: Travel

There is nothing like the feeling you get looking out the window when you’re about to land in a far off place you’ve dreamed about visiting since you were a kid.  This was the view just before landing in Manchester when we took our recent trip to England.  In the next few posts, I’ll chronicle some of those adventures.  There is almost nothing I enjoy more than traveling and photographing.   Allen and I have taken a few trips together and I am delighted to say that we do very well as travel companions.

I have found out that there ain’t no surer way to find out whether you like people or hate them than to travel with them.  ~Mark Twain

Landing in Manchester
Landing in Manchester