T-Rex in Pendleton

‘Be careful what you pretend to be because you are what you pretend to be.’ Kurt Vonnegut

(I saw this cement t-rex in Pendleton, NY and I did a U turn a quarter of a mile down the road to go back and get this shot.  I took several shots and decided to post this Instagram version on facebook.  My sculptor friend, Dave recognized it and gave me the back story.  It was sculpted by John Czerwinski – cement man for Dave’s father when Dave was growing up.  As an adult, Dave worked with John on new houses for many years.)

An Instagram by MJJ

Ophelia: In Search of a Metaphor

Every time I come across this 1852 rendition of Ophelia by John Everett Millais, my mind starts searching for a metaphor to relate back to my project Tangled.  I’m drawn to it almost entirely because of the abundant detail and intense colors Millais used, which are typical of the complex compositions of the  Pre-Raphalite painters.

The story behind Millais’ painting is interesting and strangely aligned with the story of Ophelia.  Elizabeth Siddal modeled for this mysterious Shakespearian death scene, in a bathtub with lamps beneath to warm the water.  On one occasion, the lamps went out and the water grew icy cold.  Siddal became ill, apparently willfully, for she remained in the water without protest as Millais painted on for hours.  She eventually died of a drug overdose that is widely held to have been a suicide.

From Gertrude’s speech about the death of Ophelia we learn that she accidentally fell into the water and then simply neglected to save herself from sinking. This passiveness is very much in line with the way Ophelia lived her life throughout the play – always going with the flow, doing what she was told to do, never making a decision for herself.  What is intriguing to me beyond the sublime aesthetics of the painting is how Ophelia’s story takes a turn with Gertrude’s further observations that Ophelia’s death seemed natural and that she was mermaid-like or a “native” creature in the water.  This is something she had never shown an inclination toward in life.  It’s almost as if the flora of the river and the riverbank, so beautifully depicted in Millais painting had the power to seduce Ophelia to surrender her life to the growth and decay of the natural ecosystem.

I’m still searching for my metaphor.  I feel it very much within reach.

When down her weedy trophies and herself
Fell in the weeping brook. Her clothes spread wide;
And, mermaid-like, awhile they bore her up:
Which time she chanted snatches of old tunes;
As one incapable of her own distress,
Or like a creature native and indued
Unto that element: but long it could not be
Till that her garments, heavy with their drink,
Pull’d the poor wretch from her melodious lay
To muddy death
.


	

Everyday Magic

I almost missed this sweet little scene recently while working with a client on a shoot for a business website.  I must have passed beneath it 3 times before it finally caught my eye as I was saying my goodbyes.  My camera was all packed up, so a grabbed this shot with my iphone.  To me, it’s magical.  Thank goodness for these moments.

Every Day Magic, MJ

Leave Home

“Leave Home.  Distance and difference are the secret tonic of creativity. When we get home, home is still the same. But something in our mind has been changed, and that changes everything. ” – Jonah Lehrer

Sunflowers in Toronto, MJ

Love for Sale III @ Studio Hart

Buffalo, NY-Studio Hart is proud to announce the third annual showing of Love for Sale, a group show curated by Buffalo artist Molly Jarboe and featuring live music by Honey Girl and the Horseshoe Falls.

Participating visual artists include several familiar faces from years past as well as a number of new contributors:

Lauren Braun
Amy Greenan
Ani Hoover
Doug Lambert
Amy Meza Luraschi
Julian Montague
Jan Nagle
Maria Pabico LaRotonda and Craig LaRotonda
Nancy J. Parisi
Kate Parzych
Allen Shelton and Molly Jarboe (Collaboration)
Ginny Rose Stewart
Elizabeth Switzer
Christine Walsh and Adam Weekley (Collaboration)

*Honey Girl and the Horseshoe Falls will be performing Live at the opening featuring tracks from the new album “Oh Lake Erie.”  Music starts at 7pm.

(Honey Girl & the Horseshoe Falls is a Buffalo based indie folk duo consisting of Lisa Forrest (vocals, guitar) and Doug Lambert (vocals, guitar, piano, bass, harmonica).

Once again, the exhibition is intended to coincide with the days leading up to Valentine’s Day and features works by multiple artists addressing the subject of gift giving to show love. The exhibition will be on view February 3-March 1, 2012. An opening reception will be held 6-9 pm Friday, February 4 as part of the Allentown First Fridays Gallery Walk.

 

 

 

Love for Sale explores love, sweet love, obsessive, dark love, all kinds of love.  It goes from the joy of new love to the misery of unrequited love and spans all points in between. We invite you to come and investigate the mystery of gift giving while viewing objects of art representing expressions of love for sale. In the words of Roland Barthes:

“The Heart – coeur/heart – This word refers to all kinds of movements and desires, but what is constant is that the heart is constituted into a gift-object–whether ignored or rejected. “ – A Lover’s Discourse

Image Credits: Top: Untitled photo by Jan Nagle, 2012, Bottom: Two Hearts Beat as One, Amy Greenan, mixed media, 2012

Studio Hart is located in Buffalo’s historic Allentown district, home to many galleries, fine restaurants and retail shops. Studio Hart is open Open Tuesday – Friday, 11:30 – 3:00pm Saturday, 12:00 to 3:00pm and by appointment.

Contact:

Barbara Hart
Studio Hart
65 Allen Street
Buffalo, NY 14202
716-536-8337
www.studiohart.com
studiohart@gmail.com