The Pencil of Nature

My title, The Pencil of Nature, for this group of iPhone shots, pays playful tribute to the book of the same name by William Henry Fox Talbot, published in London between 1844 and 1846. These images started out as studies for another project shot using a DSLR, but as they accumulated, they took on a life of their own. The theme, which is revealed subtly in the image titles, is very much in line with my work on memory and loss, but the technology that frames the work has even more of a presence than usual. This is unavoidable, since Instagrams and their ilk remain rarely charted terrain in the world of fine art and so my use of them must enter my discussion of the work.

In the passage below from his original text, enamored of crediting nature and not the painter’s hand, Talbot muses about future photographic technologies. He seems to almost predict their many forthcoming incarnations, which we now know range from Calotypes to Instagrams, with countless points in between.

“They are impressed by Nature’s hand; and what they want as yet of delicacy and finish of execution arises chiefly from our want of sufficient knowledge of her laws. When we have learnt more, by experience, respecting the formation of such pictures, they will doubtless be brought much nearer to perfection; and though we may not be able to conjecture with any certainty what rank they may hereafter attain to as pictorial productions, they will surely find their own sphere of utility, both for completeness of detail and correctness of perspective.”

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